#Watch james acaster repertoire series#
#Watch james acaster repertoire tv#

But his stand-up is also poignant and reveals deeper truths about humanity and makes the show quite somber. Acaster is the only comedian where I’ve watched him a second time and still laughed at the jokes. He then becomes an undercover cop who infiltrates a street gang and begins a podcast. He then has to go into witness protection, ends up on jury duty where he meets the worst person in existence. A story of a criminal who accidentally shouted out his entire postcode in an altercation with a rival street gang. You go on a roller coaster of emotions in one cohesive story. A throwaway gag in one part could be called back to in a different part with a delightful payoff. That’s why you should watch it all in one go. He utilizes callbacks in his routines, not as the ending of his special but to enhance an already hilarious joke. A story that you can follow if you watch all four episodes which I highly suggest you do. He talks about cheese graters, the annoyance of certain kinds of lamps, bananas, witness protection, and apricots, and somehow it all still fits a story. The special has a balance of style and substance. It somehow succeeds in having the classic “have you ever noticed this” schtick but updated it for a new group of comedy goers. His four-part Netflix special, Repertoire, is comedy gold. TV: James Acaster's Repertoire & The State of Brit.I’m not going to sugarcoat it, I’m a huge fan of this comedian.

Playlist For Whirling Around On A Street Corner Ne.įitting Room Focus: H&M Business Meeting & Perfect. What Secrets Do My Amazon Wishlists & Recommendati. You've Got Cojones! ☆ Watching Ugly Betty Again Now I'm finally going to actually talk about James Acaster's Repertoire, which is good.Ĭlick Here To Accept My New Terms Of ServiceĪnimal Crossing Journal #34: Contemplating The Weeds I love the wholesome yet clever jokes of Brooklyn 99 combined with fantastic characterisation, I love the utter chaos of hbomberguy videos, and I love the otherworldly wackiness of Oh My Ghost!

#Watch james acaster repertoire tv#

There are plenty of criticisms to be made about those different areas too, but there are certain things in these examples that I know I'm unlikely to get on TV in the UK any more. I've turned to US productions (Brooklyn 99, Dirk Gently's Holistic Detective Agency) much more recently, as well as YouTube videos (hbomberguy, Jenna Marbles), and Korean dramas (Oh My Ghost!) because there is a lot more heart and variety to be found there. Comedy is fundamentally about subverting expectations, so being exposed to such a lack of diversity in mainstream comedy style, format, personality, and topic makes me less interested in British TV comedy. So much reacting to the news, but very little of it has any bite.

We're all so used to kind of narrative structures we see all the time on TV now. Now, I have nothing against making TV shows out of stand up, however it feels to me at this point as if many comedian's voices in these shows all blend into one.

#Watch james acaster repertoire series#

I should probably note these series did end relatively recently, in 20 respectively, and I'm not trying to argue that there is nothing good, creative, or politically relevant being created in contemporary British comedy, but TV does seem to be often trying very hard to replicate and capitalise on existing safe formats, rather than putting forward new ideas.Īside from panel shows, we see a lot of straightforward stand up shows, like Night at the Apollo or Russell Howard's Good News. Plenty of different approaches to comedy, from the now standard E4 tongue-in-cheek style of Misfits (which has its problems, but offered something that at the time was so fresh and different), to the bizarre and almost surreal social sitcom Peep Show. Now, don't get me wrong, I still enjoy these shows to varying degrees, but it's strange to remember the incredible inventiveness that was going in comedy in the 00s. New panel show formats come and go, flung at us like spaghetti at a wall, and occasionally sticking to the somewhat stale parade of Have I Got News For You (still here but feeling deflated after almost 30 years of the format), 8 Out of 10 Cats (which is now a teenager at 13 years of airing), and Mock The Week (introduced in 2005, the same year as 8 Out of 10 Cats). Shows such as Goodness Gracious Me, The Young Ones, Red Dwarf, The Day Today/Brass Eye, Black Books, and The Thick of It.įast forward to the present day and in the UK, we're inundated with panel shows. I also grew up discovering many shows that played with comedy TV as a medium in groundbreaking, exciting, and unique ways. When I was a kid, I would always stay up late to watch Have I Got News For You, a panel show that in the 90s and 00s felt fresh, culturally relevant, and politically scathing. The way comedy has developed in the last 20-30 years is something I'm always really interested in talking about.